

The truth is I read Glen Duncan in spite of the story line, particularly in this book. Duncan has a lot to say about the human condition and Western civilization.
I will continue to read Glen Duncan because I treasure our intimate conversations.
What other reviewers have to say:
FROM NPR: Jake Marlowe is a man you'd want to sit next to at a dinner party. He's cultured and debonair; he savors fine literature, food and female companionship; he quotes Vladimir Nabokav, D.H. Lawrence and Starsky and Hutch.
In his 200 years, Marlowe — the world's last werewolf — has learned a lot about the finer things in life. (Read full review.)
FROM NY TIMES: It’s easy to see why werewolves might feel under-celebrated these days. While vampires and zombies have stormed the multiplexes and best-seller lists, and Dr. Frankenstein’s monster has completed its cultural infiltration by transforming into the ubiquitous information appliances of daily life (if my smartphone doesn’t count as artificial life run amok I don’t know what does), werewolves have been largely left to idle at the side of the literary road. Where are these Freudian howlers of the night? Theirs has been rather a raw deal. (Read full review)






"Bernie Meyer speaks with, in and through the Gandhian spirit of
actively engaged nonviolence. He has lived through and experienced some
of the most formative times and events of the American nation. This
collection of autobiographical essays deserves a wide reading audience.
Rarely do we find such spiritual and philosophical depth combined so
integrally with social activism and long term commitment to progressive
change in society. This voice is genuinely a national treasure." - Daniel Liechty, School of Social Work, Illinois State University
April 26, 2012 at 7:30 P.M. Olympia Timberland Library
Location:Olympia St, Rainier, WA
It’s easy, in this day of digital books and e-readers, to forget about the joys of a neighborhood bookstore. They offer something you can’t get online or at the big box stores—they offer you style and a narrowed selection geared toward their customers.
Yes my friends, a narrowed selection, is a plus. Why because you have more time to view each book and give it a chance to move into your home and your mind. Independent booksellers want to know you as a person and give you the selection that you need,
Last week I was lucky enough to be in Seaside Oregon with my granddaughters on spring break and visited a great independent book store Beach Books. I knew I was home as soon as I walked in the door and saw the lovely selection of books, and comfortable sofa to sit on, and a sleepy cat to complete the ambiance.
Beach Books is owned and operated by Karen Emerling. Stop by and see her when you are in Seaside, Oregon.

“Hoffman’s characters are always moving back and forth, challenging our perceptions, daring us to judge them. Her sentences tremble with allegory. . . . In the end, THE STORY SISTERS, for all its magic realism, is about a family navigating through motherhood, sisterhood, daughterhood. It’s Little Women on mushrooms. (Bookish sisters beware).”
Marge Piercy is one of my favorite poets. Why? Because she speaks to the core of me –of what I feel in the crevasses that no one ever sees. This poem has sustained me over many many years. I read it when I’m feeling sad, or sorry; when I’m feeling unloved and undervalued. It lifts me up. I hope it lifts you up as well.
For Strong Women
A strong woman is a woman who is straining
A strong woman is a woman standing
on tiptoe and lifting a barbell
while trying to sing "Boris Godunov."
A strong woman is a woman at work
cleaning out the cesspool of the ages,
and while she shovels, she talks about
how she doesn't mind crying, it opens
the ducts of the eyes, and throwing up
develops the stomach muscles, and
she goes on shoveling with tears in her nose.
A strong woman is a woman in whose head
a voice is repeating, I told you so,
ugly, bad girl, bitch, nag, shrill, witch,
ballbuster, nobody will ever love you back,
why aren't you feminine, why aren't
you soft, why aren't you quiet, why aren't you dead?
A strong woman is a woman determined
to do something others are determined
not be done. She is pushing up on the bottom
of a lead coffin lid. She is trying to raise
a manhole cover with her head, she is trying
to butt her way through a steel wall.
Her head hurts. People waiting for the hole
to be made say, hurry, you're so strong.
A strong woman is a woman bleeding
inside. A strong woman is a woman making
herself strong every morning while her teeth
loosen and her back throbs. Every baby,
a tooth, midwives used to say, and now
every battle a scar. A strong woman
is a mass of scar tissue that aches
when it rains and wounds that bleed
when you bump them and memories that get up
in the night and pace in boots to and fro.
A strong woman is a woman who craves love
like oxygen or she turns blue choking.
A strong woman is a woman who loves
strongly and weeps strongly and is strongly
terrified and has strong needs. A strong woman is strong
in words, in action, in connection, in feeling;
she is not strong as a stone but as a wolf
suckling her young. Strength is not in her, but she
enacts it as the wind fills a sail.
What comforts her is others loving
her equally for the strength and for the weakness
from which it issues, lightning from a cloud.
Lightning stuns. In rain, the clouds disperse.
Only water of connection remains,
flowing through us. Strong is what we make
each other. Until we are all strong together,
a strong woman is a woman strongly afraid.
I know, you don't care. Poetry--ugh! Poetry is hard. It was hard in school and now that you are out of school you never ever have to encounter it again. It's true. But oh my, what you are missing. If you have not read or at least listened to Billy Collins, you are missing an entertainment treat. Here is a YouTube Video of him reading his poem The Lanyard. Beneath it--is the written poem.
The other day I was ricocheting slowly
off the blue walls of this room,
moving as if underwater from typewriter to piano,
from bookshelf to an envelope lying on the floor,
when I found myself in the L section of the dictionary
where my eyes fell upon the word lanyard.
No cookie nibbled by a French novelist
could send one into the past more suddenly—
a past where I sat at a workbench at a camp
by a deep Adirondack lake
learning how to braid long thin plastic strips
into a lanyard, a gift for my mother.
I had never seen anyone use a lanyard
or wear one, if that’s what you did with them,
but that did not keep me from crossing
strand over strand again and again
until I had made a boxy
red and white lanyard for my mother.
She gave me life and milk from her breasts,
and I gave her a lanyard.
She nursed me in many a sick room,
lifted spoons of medicine to my lips,
laid cold face-cloths on my forehead,
and then led me out into the airy light
and taught me to walk and swim,
and I, in turn, presented her with a lanyard.
Here are thousands of meals, she said,
and here is clothing and a good education.
And here is your lanyard, I replied,
which I made with a little help from a counselor.
Here is a breathing body and a beating heart,
strong legs, bones and teeth,
and two clear eyes to read the world, she whispered,
and here, I said, is the lanyard I made at camp.
And here, I wish to say to her now,
is a smaller gift—not the worn truth
that you can never repay your mother,
but the rueful admission that when she took
the two-tone lanyard from my hand,
I was as sure as a boy could be
that this useless, worthless thing I wove
out of boredom would be enough to make us even.